Explore our updated 2026 list of 41 players, their entrance music and the stories behind the biggest crowd anthems in professional darts.
There are few sporting entrances quite like a darts walk-on. The lights go down, the announcer raises his voice, and thousands of fans begin singing before a single dart has been thrown.
For some players, their entrance music has become almost as recognisable as their throwing action. Michael van Gerwen has the unmistakable riff of Seven Nation Army.
Stephen Bunting has turned Titanium into a crowd anthem. And Luke Littler’s walk-on song, Greenlight by Pitbull, has accompanied his extraordinary rise in professional darts.
But what songs do the rest of the world’s leading players use?
Our 2026 darts walk-on songs list covers 41 current players, including Luke Humphries, Nathan Aspinall, Gerwyn Price, Gian van Veen and Beau Greaves.
We’ve also included the stories behind some of the best-known entrances, memorable songs from former champions and the reasons players sometimes change their music.
For more on the game itself, see our complete guide to darts. If you’re following the tournaments as well as the entertainment, our bet365 UK guide covers Sports offers and eligibility. Walk-on music, however, is entertainment rather than a guide to betting form.
Luke Littler walks on to Greenlight by Pitbull, featuring Flo Rida and LunchMoney Lewis.
It’s a natural fit for a player nicknamed The Nuke. The song is upbeat, immediately recognisable and gives Littler plenty of opportunity to interact with the crowd on his way to the stage.
What makes his choice particularly interesting is that it wasn’t inspired by darts.
In 2017, Littler attended WrestleMania 33 in Orlando, Florida, with his father. He was just ten years old when he heard Greenlight, which was associated with that year’s event.
Littler later explained that he enjoyed the song so much he decided it would be his entrance music if he ever made it as a professional sportsman. It was a childhood ambition that worked out rather well.
As reported by DartsNews, Littler has kept the track because of its personal connection to that experience.
There are plenty of darts walk-on songs chosen because they suit a player’s nickname. Littler’s is different: the song was part of his story before the wider darts audience knew who he was.
The table below lists the regular or most recently reported darts walk-on music for 41 current players, including leading PDC professionals and prominent women’s players.
Last checked: 6 November 2026. Songs can change between tournaments, and some players use special mixes or alternative tracks for particular events.
| Player | Walk-On Song | Artist |
|---|---|---|
| Luke Littler | Greenlight | Pitbull ft. Flo Rida & LunchMoney Lewis |
| Luke Humphries | I Predict a Riot | Kaiser Chiefs |
| Gian van Veen | Astronomia | Tony Igy & Vicetone |
| Michael van Gerwen | Seven Nation Army | The White Stripes |
| Gerwyn Price | Ice Ice Baby | Vanilla Ice |
| Stephen Bunting | Titanium | David Guetta ft. Sia |
| Nathan Aspinall | Mr Brightside | The Killers |
| Jonny Clayton | Johnny B. Goode | Chuck Berry |
| Gary Anderson | Jump Around | House of Pain |
| James Wade | I’m Still Standing | Elton John |
| Josh Rock | Welcome to the Party | DJ Krissy |
| Danny Noppert | High Hopes | Panic! at the Disco |
| Ross Smith | Go Your Own Way | Fleetwood Mac |
| Wessel Nijman | Summer of ’69 | Bryan Adams |
| Chris Dobey | Hey Jude | The Beatles |
| Ryan Searle | Paranoid | Black Sabbath |
| Rob Cross | I Don’t Wanna Wait | David Guetta & OneRepublic |
| Damon Heta | Dancing in the Dark | Bruce Springsteen |
| Peter Wright | Don’t Stop the Party | Pitbull |
| Michael Smith | Shut Up and Dance | Walk the Moon |
| Jermaine Wattimena | Bella Ciao | Hardwell & Maddix |
| Luke Woodhouse | C’est la Vie | Stereophonics |
| Krzysztof Ratajski | Whatever You Want | Status Quo |
| Martin Schindler | In the End | Linkin Park |
| Kevin Doets | You Give Love a Bad Name | Bon Jovi |
| Dirk van Duijvenbode | Just Like You | Radical Redemption |
| Ryan Joyce | Tetris | Doctor Spin |
| Cameron Menzies | The Glen (Levi Heron Edit) | Beluga Lagoon / Levi Heron |
| Andrew Gilding | Gold | Spandau Ballet |
| Niels Zonneveld | The Nights | Avicii |
| Dave Chisnall | Dizzy | Vic Reeves & The Wonder Stuff |
| William O’Connor | Zombie | The Cranberries |
| Daryl Gurney | Sweet Caroline | Neil Diamond |
| Joe Cullen | Don’t Look Back in Anger | Oasis |
| Mike De Decker | Three Little Birds | Bob Marley & The Wailers |
| Niko Springer | Legendary | Welshly Arms |
| Ricardo Pietreczko | Pokémon Theme | Jason Paige |
| Justin Hood | All the Small Things | Blink-182 |
| Raymond van Barneveld | Eye of the Tiger | Survivor |
| Beau Greaves | Bitter Sweet Symphony | The Verve |
| Fallon Sherrock | Last Friday Night (T.G.I.F.) | Katy Perry |
This is a current-player reference list rather than a historical record of every song used by each player.
For example, Gerwyn Price has also used Discoland by Gerry Cinnamon, while Peter Wright has experimented with Christmas songs at Alexandra Palace.
The table reflects the more recently reported regular choices, cross-checked against darts player music records and the 2026 PDC walk-on list.
Not every great song makes great entrance music.
A good walk-on needs to work within the short time it takes a player to travel from the backstage area to the oche. A recognisable introduction helps, but so does a chorus that thousands of people can join in with.
These five stand out for the way they work in a darts arena.
Stephen Bunting has one of the most distinctive entrances in professional darts.
As soon as Titanium starts, the crowd knows what’s coming. Fans sing along, Bunting makes his way towards the stage, and the whole routine feels more like the beginning of a concert than a darts match.
There’s a personal story behind his choice, too.
Bunting previously walked on to Surfin’ Bird by The Trashmen. He eventually replaced it with Titanium, partly because it was his son’s favourite song and partly because its theme suited his nickname, The Bullet.
In an interview reported by ESPN, Bunting explained the family connection and why the track worked in a stadium.
It’s an example of a walk-on becoming bigger than the original choice. The song has developed into an essential part of Bunting’s public identity.
Our verdict: One of the best modern darts entrances for crowd participation.
There is a fairly simple reason Mr Brightside works so well as a darts walk-on: British crowds already know virtually every word.
Nathan Aspinall has made The Killers’ indie-rock anthem his signature entrance. When a large crowd begins singing, Aspinall doesn’t have to do much to create an atmosphere.
Some of his entrances also feature an introduction from Charlemagne by Blossoms before Mr Brightside begins.
The pairing feels particularly appropriate for Aspinall, a player who wears his emotions openly and clearly enjoys the connection with supporters.
It’s difficult to imagine many other songs producing the same immediate reaction across British darts venues.
Our verdict: Perhaps the strongest singalong on the current PDC circuit.
Michael van Gerwen’s entrance takes a different approach.
Where some players rely on a cheerful pop song or a familiar party anthem, Van Gerwen uses one of the most recognisable guitar riffs in modern music.
Seven Nation Army is particularly effective because it doesn’t need a full verse or chorus to work. The opening riff is enough for a large crowd to start chanting along.
His entrance has also featured an excerpt from Pink Floyd’s Shine On You Crazy Diamond before the White Stripes track begins.
For a player whose reputation has been built on intensity, aggressive scoring and an enormous collection of titles, it feels appropriate.
It’s also one of the rare walk-on songs that can be immediately identified from just a few notes.
Our verdict: The best entrance for building anticipation and an intimidating atmosphere.
Luke Humphries hasn’t always used the Kaiser Chiefs.
His previous entrance music was Cake by the Ocean by DNCE, but the switch to I Predict a Riot gave him a song that was arguably better suited to a British sporting crowd.
The Leeds band’s 2004 track offers an instantly recognisable guitar introduction and a chorus designed for mass participation.
Humphries’ nickname, Cool Hand Luke, might suggest a rather more restrained entrance. His music choice is anything but restrained.
And that contrast is part of its appeal.
Our verdict: A natural fit for British arenas, particularly when the crowd is already in full voice.
Littler’s entrance doesn’t have quite the same traditional singalong quality as Mr Brightside or I Predict a Riot.
What it does have is energy.
Greenlight creates the impression that something important is about to happen, which is exactly what an entrance song should achieve.
There is also something refreshing about the personal connection to WrestleMania rather than a song chosen simply because it is popular with darts supporters.
Littler has made it part of his identity, and that’s ultimately what the most successful walk-ons accomplish.
Our verdict: The signature song of darts’ new generation.
Darts hasn’t always been associated with elaborate entrances.
For much of its history, the sport was defined by players standing at the oche, a referee announcing scores and an audience watching the action.
The development of the Professional Darts Corporation helped change the presentation of the game.
Walk-on music, player nicknames, lighting effects and theatrical introductions became important features of televised tournaments.
Today, the walk-on serves several purposes.
It builds a player’s identity. A distinctive song becomes associated with a particular competitor. Fans might hear the opening of Titanium or Seven Nation Army and immediately know which player is coming.
It creates a connection with the audience. Players can acknowledge supporters, exchange high-fives or encourage the crowd to sing along.
It helps build excitement. The entrance creates a sense of occasion before the first leg begins, particularly at major televised events.
It provides a moment of routine. Players may follow familiar movements and habits during their entrance. For some, that consistency is useful preparation before a match, although there’s no reliable evidence that one particular song improves their scoring.
Anyone who has attended a major PDC event will recognise the difference between an ordinary entrance and one where the entire arena seems to be singing.
If you’ve watched darts for several years, you may have noticed that some players no longer enter to the same songs. There isn’t always a dramatic explanation.
A player might simply become tired of a track, discover something they prefer, or decide that a different song better reflects their personality.
Other changes are linked to specific events or special occasions.
Gerwyn Price is a particularly good example of why darts walk-on song lists need updating.
Ice Ice Baby by Vanilla Ice has been his established entrance song for years, with the title fitting his nickname, The Iceman.
However, Price also used Discoland by Gerry Cinnamon during the 2025/26 World Championship period.
That explains why lists published for the same championship may show a different song from more recent regular-player records.
Peter Wright is renowned for his colourful appearance, elaborate hairstyles and willingness to entertain supporters.
His established entrance is Don’t Stop the Party by Pitbull, but he’s also used alternatives at particular tournaments. At the 2025/26 World Championship, for example, there were seasonal selections associated with his entrance.
For Wright, changing the music is entirely in keeping with his stage personality.
Beau Greaves provides a more recent example.
She previously used Status Quo’s Rockin’ All Over the World but changed to Bitter Sweet Symphony by The Verve.
Greaves explained in an October 2026 interview with talkSPORT that the suggestion came from her sister and that she wanted a song she genuinely enjoyed rather than something selected purely to excite spectators.
It illustrates an important point: a walk-on song doesn’t have to be a crowd-pleaser to be the right choice for a player.
Some of darts’ most memorable entrances belong to players who are no longer regulars on the main professional circuit.
Perhaps the most famous walk-on in darts history belonged to Phil Taylor.
Taylor, nicknamed The Power, entered to Snap!’s The Power, creating one of the simplest and most effective connections between a player and a song.
Given Taylor’s extraordinary record, his entrance music became part of the identity of an entire era of professional darts. Fans who watched his dominance throughout the 1990s and 2000s are unlikely to forget the atmosphere surrounding his appearances.
You can read more about his career in our guide to the ten greatest darts players of all time.
Adrian Lewis, nicknamed Jackpot, used the infectious Papa’s Got a Brand New Pigbag, a track associated with plenty of British sporting events.
Its instrumental hook made it especially effective for an arena entrance.
Peter Manley, known as One Dart, is remembered for using Amarillo, another song with strong British crowd appeal.
It was a particularly effective choice during the mid-2000s, when the Tony Christie track enjoyed a major revival. These songs helped establish the walk-on as an essential part of the modern darts experience.
Most professional players have a say in their regular entrance music, but the finished presentation is not necessarily identical to the original recording.
There are several practical considerations.
A song needs to work as a short introduction. Some players want a particular section rather than the opening of the commercially released track.
Others use an edited version, a remix or two pieces of music combined into a single entrance.
Nathan Aspinall’s use of Charlemagne and Mr Brightside, and Michael van Gerwen’s Pink Floyd introduction before Seven Nation Army, are examples of this approach.
The event organiser and broadcaster also have to consider production arrangements and music rights. Consequently, the soundtrack used at one event isn’t a guarantee that exactly the same recording will be heard at the next.
That distinction matters when identifying darts walk-on songs from television coverage.
You don’t need to be a professional to enjoy having an entrance song.
Pub leagues, exhibition matches, charity tournaments and local competitions can all benefit from players choosing their own music. If you’re looking for inspiration, there are three useful things to consider.
Choose something immediately recognisable. A track with a strong opening riff or chorus is usually easier for an audience to respond to.
Match the music to your personality. A humorous track can work just as well as an aggressive one. Not every player needs a song designed to sound intimidating.
Pick something you’ll still enjoy after hearing it repeatedly. A novelty track might be amusing the first time, but considerably less entertaining after a season of league matches.
For a British darts crowd, tracks such as Mr Brightside, Sweet Caroline, Don’t Look Back in Anger or Seven Nation Army are obvious starting points.
But Littler’s story demonstrates that the best choice might be a song with a completely personal meaning.
Luke Littler’s walk-on song is Greenlight by Pitbull, featuring Flo Rida and LunchMoney Lewis. He chose the song after hearing it at WrestleMania 33 in Orlando when he was ten years old.
Luke Humphries uses I Predict a Riot by the Kaiser Chiefs. His previous walk-on song was Cake by the Ocean by DNCE.
Stephen Bunting walks on to Titanium by David Guetta featuring Sia. He previously used Surfin’ Bird by The Trashmen.
Michael van Gerwen’s main entrance song is Seven Nation Army by The White Stripes. His entrance has also included an introductory excerpt from Pink Floyd’s Shine On You Crazy Diamond.
Gerwyn Price is most closely associated with Ice Ice Baby by Vanilla Ice. He has also used Discoland by Gerry Cinnamon at certain events, including during the 2025/26 World Championship period.
Nathan Aspinall uses Mr Brightside by The Killers. Some entrances also feature Charlemagne by Blossoms as an introduction.
Phil Taylor famously used The Power by Snap!, matching his nickname. It’s one of the best-known walk-on songs in darts history.
Beau Greaves uses Bitter Sweet Symphony by The Verve, having switched from Rockin’ All Over the World by Status Quo in 2026.
No. Players can change their regular walk-on music or use different songs for special events. Tournament-specific choices, remixes and broadcast arrangements mean a player may occasionally enter to music that differs from their usual track.
A great darts walk-on song does more than introduce a player.
It establishes a personality, gives supporters something to identify with and transforms the moments before a match into part of the entertainment.
For established stars such as Michael van Gerwen, the music has become inseparable from their reputation. For newer players such as Luke Littler, it is helping to define a new generation of the sport.
And although the songs may change, the appeal remains much the same.
From Mr Brightside to Titanium, there’s something special about hearing thousands of darts fans singing in unison before two players settle down to the serious business of throwing arrows.
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